Rocking up Messrs Bach, Mozart and Beethoven, this features a bunch of motifs you’ll be familiar with if you ever listened to a Now That’s What I Call Classical album – or indeed attended any European football game. And here it is dislodging a preposterous list of achievements over the hardest of acoustic riffs. Like Sabaton’s obsession with war or Ice Nine Kills’ horror preoccupation, Tenacious D’s probing tongue always comes back to… the story of Tenacious D. So it's always fun when you find that moment where something starts to work.If there’s one thing Jack Black (aka Jables) and Kyle Gass (aka Kage) like to sing about, it’s themselves. "Then he started to hit these power chords, kind of counterpoint and tension chords, stuff like that. "I started playing the pulsating bass line," he said. Trujillo added that Metallica's 2008 Death Magnetic track, "Suicide & Redemption," was born in a similar way during a jam session in South Africa. You know, we just sync in it's like we're riding this wave together." That was a special moment for me because whenever I can find that magic carpet with James, it's really a lot of fun. And James and I just started kind of grooving on it. It's got a feel to it where it's 'walking through a forest,' like a scene from a Tim Burton movie or something. "It starts to take shape, it kind of builds itself, and then at some point, it finds its way," he said, "With this particular middle section that came to be, that was really centered around a jam and was very moody, and there's a danger to it I like how the bass is walking. Regarding how "You Must Burn!" came together musically, Trujillo described how the song evolved from a simple idea in the band's tuning room to a moody, atmospheric piece with a distinct feel and vibe.
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